I finally gave Daniel Sell's minimalist gonzo science fantasy rpg
Troika! a spin a few weeks ago - running it's first published scenario
Fronds of Benevolence, and I am just as delighted as I expected. I've seen its implied setting
described as "Hipster Planescape", and while I'm not very familiar with
Planescape, I suspect that hits the nail on the head - you might also add that healthy doses of Monty Python, Michael Moorcock and Terry Pratchett might be involved.
Basically, characters are expected to be anything from temple-knights who carry around half a dozen swords to demonstrate their readyness for the end times to a Monkeymonger (comes equipped with 1d6 trained, edible monkeys) or a Thinking Engine (who has to weld it's whorly, strangely-wood like skin back in shape to regenerate). My favourite player background, however, remains the Ardent Giant of Corda:
Every Giant has a different story about Corda, well told and interrupted with tears and laughter, of how they lost it and mean to find it soon enough, but oh, what of today? We should drink and cheer, we'll search once again in the morning!
This passage not only perfectly encapsulates both the lyricism and the wackiness of
Troika!, it also displays how setting is presented in this game. You won't get chapter headlines like "An Overview of the City of Troika" or "A Traveller's Guide to the Humpbacked Sky". Instead you get all of these allusions and suggestions that begin to form the mirage of Golden Barges travelling through said humpbacked sky to countless worlds encased in crystal spheres. When you've read through
Troika!, you'll have idea of its cosmos in very broad strokes, and you'll have lots of details (like dwarves being made rather than born, and some of them coming out ill-made, or pocket barometers being the current fad in the city of Troika, even though the city has no discernible weather).
Now, you can either see this as an "Oh my god! You're telling me I'll need to be constantly hunting for the tidbits of information to learn about the setting?", or as "Whatever comes up while we play the game becomes part of our
Troika! universe. Whatever doesn't come up doesn't. When something comes up that contradicts something already established, it's either untrue or both of the contradictory statements are true. Suck it up." Obviously, the latter is where the fun lies with
Troika!.
